As
you get older, there comes a point when you look back at childhood stories and
see that there’s something not right about many of them. Hans Christian
Andersen’s tales are like this – there is something dark and deceptively
twisted. Since these particular two share a similar new publication, I am
reviewing them together. “The Snow Queen”: in which Gerda sets out to find her
lost best friend Kay, and “The Fir Tree”: in which a sentient fir tree gets
removed from its forest home and is introduced to fire. Rather than shortening
their summary, I will focus on some common elements and what sets the new
releases apart (the artwork).
Fairy
tales in general have a nice simplicity to them, where all the loose ends gets
tied up, and can be read or told in a short amount of time. Hans’s stories
feature talking plants and animals, common in fantasy, but still absurd. Often
there is a benevolent grandmother, and strangers that the protagonists
shouldn’t talk to, let alone follow. You have to wonder sometimes, who was he
writing for? Yet, we still read and celebrate these stories so many generations
later. “The Snow Queen,” where a mirror made by the devil distorts everyone’s
vision, was an inspiration for the movie “Frozen.” The best adaptation though,
in my opinion, is GrooveLily’s “Striking 12,” their take on “The Little Match
Girl,” which gave me a new appreciation for this Danish writer. “The Snow Queen”
is unusual in having a relatively happy ending; the poor, lonesome “Fir Tree”
is left to its fate, while its human users are oblivious to its wooden feelings.
The new artwork, by Sanna Annukka, complements the simplicity of the stories, and is really nice to look at on its own. Appearing very Scandinavian, there are solid backgrounds and only a few choice colors. The images are composed largely of triangles, parallel patterns, and symmetry, and do not overlap with the words. The pages are much taller than they are wide. As I read an e-galley, I cannot comment further on physical attributes of these books, but can say that if you like Hans Christian Andersen, you will enjoy these. They might be best suited for Christmastime, but as winter is finally over, they can be read at any time of the year.
The new artwork, by Sanna Annukka, complements the simplicity of the stories, and is really nice to look at on its own. Appearing very Scandinavian, there are solid backgrounds and only a few choice colors. The images are composed largely of triangles, parallel patterns, and symmetry, and do not overlap with the words. The pages are much taller than they are wide. As I read an e-galley, I cannot comment further on physical attributes of these books, but can say that if you like Hans Christian Andersen, you will enjoy these. They might be best suited for Christmastime, but as winter is finally over, they can be read at any time of the year.
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